Anchor and Image Book Covers Continued

A113. Chance. Joseph Conrad.  1957.  Cover and Typography Credited.  Not Signed.

A proof for a design not used for Chance. Joseph Conrad.  1957.

A119.  The American Transcendentalists.  Perry Miller.  1957.  Cover and Typography.  Credited. Not signed.

Gorey’s rendition of one of the gates of Harvard Yard where Gorey did his undergraduate work. 

A142.   The Autobiography of William Butler Yeats.  1958.  Cover and Typography. Credited.  Not Signed.

A154.  The Ambassadors.  Henry James.  1958. Cover and Typography.  Credited.  Not Signed.

A162.  The Masters.  C.P. Snow.  N.D.  Cover and Typography. Credited.  Not Signed.

A166.  Mont-Saint-Michel & Chartres.  Henry Adams.  1959.  Credited.  Cover by Leonard Baskin.  Typography by Edward Gorey.  Not signed.

A184.  Nineteenth Century German Tales.  Angel Flores. 1959.  Cover and Typography. Credited.  Not signed.

A205.  The Grand Mademoiselle.  Francis Steegmuller.  1960.  Credited.  Cover design by Andy Warhol.  Typography by Edward Gorey.  Not Signed.

Back of A205.  The Grand Mademoiselle.  Francis Steegmuller.  1960.  Credited.  Cover design by Andy Warhol.  Typography by Edward Gorey.  Not Signed.

A470. Come Back, Dr. Caligari.  Donald Barthelme.  1965.  Cover design by Edward Gorey.  Not signed.

A904. The Age of Madness.  Thomas Szasz.  1973. Cover design by Edward Gorey.  Not signed.  Gorey also did jackets for two books by Szasz:  Ceremonial Chemistry and Insanity.

Image D11.  The Perfect Joy of Saint Francis.  Felix Timmermans.  1955.  Not credited. Not signed. A proof for this cover is in the Edward Gorey Archives.

Image D24.  The Autobiography of a Hunted Priest.  John Gerard.  1955.  Credited but not signed.