Extravagance as Legitimization
Extravagance in Islamic art was utilized as a form of political legitimization for Islamic rulers. Ornate design and grandiose architecture were intentionally common in works commissioned by Islamic rulers. From Ottoman sultans to Umayyad caliphs, art was employed as a visual metaphor for a particular leader’s rule. Meticulously embellished Islamic palaces and mosques gave birth to breathtaking spaces and simultaneously reinforced the power of their patrons over subjects and even close confidants.
Through this exhibit, we will delve into fascinating examples of extravagance as a form of legitimization in palaces and mosques. We explore the power of ornate Ottoman tiles and their influence on the minds of the public and those closest to the sultan. Bold glasswork connected rulers to heaven and God, but also demonstrated their riches through their grandiose artistry. The intricate Qasr al-Mshatta façade maximizes its symbolism to portray Umayyad Caliph al-Walid II in an intentionally extravagant manner. Even the outrageously complex calligraphy of Süleyman the Magnificent symbolizes the ruler’s ambition and legitimacy. Finally, extravagance as legitimization is expressed in an entire structure through the Sultan Ahmed Mosque, which was constructed by a young sultan during an era of decline in the Ottoman empire to provide authority to his rule and connect himself to past eras of imperial strength.
Spanning across eras and empires, these works brilliantly illustrate how extravagance was employed to assert authority, demonstrate wealth, and enhance legitimacy throughout the Islamic world. Through these works, we examine the essential interplay between art, extravagance and power in Islamic culture.
Maura G. - Qasr al-Mshatta Façade
Grace N. - Topkapi Palace Tile with Floral and Cloud-band Design
Rowan S. - Kilic Ali Pasha Mosque Stained Glass Window
